Posts Tagged Hotels
The pick of Europe’s art deco hotels
Posted by The Sheet in Architecture News on November 6, 2010
The best-preserved art deco hotels from Devon to Prague
Burgh Island Hotel, Devon
This art deco gem was built in 1929 and has been restored to recapture its 1930s heyday. Look out for retro radios, authentic furniture, original pictures, news clippings and archive photographs.• Bigbury-on-Sea, Devon (01548 810514, burghisland.com). Doubles from £360, including breakfast and dinner
Hotel Martinez, Cannes
Hollywood stars flock to the Hotel Martinez during the film festival each year. It is an unmistakable white, seven-storey art deco building right on the Croisette, and is said to house the most expensive suite in the world.• 73 La Croisette, 06400 Cannes, France (+33 492 987300, hotel-martinez.com). Doubles from £130
Hotel Britania, Lisbon
The Britania was built in the 1940s by Portuguese architect Cassiano Branco, and is the only hotel to survive the turbulence of the Estado Novo era. The bar features original wall paintings, cork floor and furnishings, and the hotel even has a vintage barbershop.• Rua Rodrigues Sampaio 17, 1150-278 Lisbon, Portugal (+351 213 155016, heritage.pt). Doubles from £114
Art Deco Imperial Hotel, Prague
This listed monument was built in 1913-14 and restored in 2005-07, and features an art deco exterior and late‑art nouveau interior. The imposing entrance hall and restaurant boast original tiled walls, mosaic ceilings, decorative pillars and a grand marble staircase.• Na Porici 15, 11000 Prague 1, Czech Republic, (+420 246 011600, hotel-imperial.cz). Doubles from £96
Five-star hotel brings a touch of luxury to Cape Town’s regeneration
Posted by The Sheet in Architecture News on September 3, 2010
With the opening of the Taj Cape Town, will the city prove the broken windows theory of urban decay?
The broken windows theory of urban decay first appeared in the magazine The Atlantic in 1982. Social scientists James Q Wilson and George L Kelling proposed that little problems, such as broken windows, can soon become big ones – squatting, vandalism and violent crime.
It's been a seductive idea ever since: that fixing windows, picking up litter and scrubbing graffiti are snowflakes that can trigger an avalanche of regeneration, returning middle classes and Starbucks all round.
In South Africa's great cities, the fight is on. Johannesburg has developments in unfashionable areas, such as the boutique shops of 44 Stanley Avenue and the creative hub Arts on Main. I recently witnessed the opening of 12 Decades, the city's first "art hotel" in a renovated building deep in the urban underbelly. Each room takes a decade of Johannesburg's history as its theme; one has apartheid legislation printed in the toilet bowl.
A decade ago Cape Town city centre was seen by many as a no-go area: daylight muggings, boarded-up buildings and parking attendants on the make. More than a few windows have been repaired since then, and last weekend there was more evidence of renaissance: the opening of a five-star hotel.
The Taj Cape Town is a sister of the Taj Mahal Palace hotel in Mumbai, recently reopened after the 2008 terrorist attacks. It brings Indian decor and "refined Indian hospitality", and a spin-off of London's Bombay Brasserie, to a once unfriendly corner of the Mother City.
As in the US, city centres tend to be more dynamic, beautifully ugly and historically evocative than the safe but bland suburbs. The 177-room Taj Cape Town has plenty of ghosts, as it occupies the former premises of the South African Reserve Bank (1932) and Temple Chambers (1896), combined with a newly constructed tower.
Adapting old buildings is one short cut to character. Much of the original banking hall is intact, with its carved clock, sash windows and grand chandelier. Up high are the two balconies where minstrels entertained customers as they queued to make their deposits or withdrawals.
In the roof is a curved skylight made with scientific precision: in 1929 the architect James Morris bullied the astronomer royal into measuring the position of shadows month by month so he could maximise the amount of direct sunlight in the hall.
This was a gilded age, after all, up to a point. There are four columns that were originally meant to be made of marble imported from Sweden, but after a court case and an outcry from taxpayers, the architect settled for cheaper Portuguese Styros marble in cream and brown.
I was among American, Australian, European and Indian journalists invited to the hotel's grand opening last weekend. We had been promised an appearance by Jacob Zuma, who had been over the road at St George's Cathedral, but the president was a no-show, possibly fearful that cutting ribbons at luxury hotels would jar with striking nurses and teachers.
From a marquee, we walked up a red carpet, through the old bank's giant bronze gates and local Paarl granite facade. The crowd of faces was mainly white or Indian with a small black minority. There was a speech from Ratan Tata, the Indian tycoon whose Tata Group owns the Taj hotels, about India's affinity with South Africa and references to Gandhi and Mandela.
I stood with American and Indian journalists, musing on the significance of this Indian initiative. "There's a sense in the US that our best days are behind us," said the American. "The 20th century was the American century, but now we're in the Asian century with China and India. It looks fairly inevitable."
Among the guests was Andrew Boraine, chief executive of the Cape Town Partnership, which has led the renewal campaign. He took us on a guided tour of the immediate neighbourhood, one of the most historically rich in South Africa.
People have been living in this region for at least 70,000 years – it's one of the oldest areas of human settlement on the planet. At least two millennia ago, the Khoisan and Khoikhoi people would bring their livestock to what they called Camissa (place of sweet water).
The sun rose and the sun set and nothing changed, making it easy to pretend they were alone in the universe. Then one day the aliens came.
The Dutch East India Company set up a refreshment station and began taxing the indigenious people. And so centuries of conflict over water and land began here.
The company set up a lodge where it is believed that up to 9,000 slaves, convicts and mentally ill people were held between 1679 and 1811. The building later became the Cultural History Museum, which in apartheid terms meant white cultural history. Black culture was put in the Natural History Museum.
Just a few minutes' walk away is a public artwork that commemorates the day in 1989 when police fired a water cannon with purple dye at pro-democracy protesters so they could identify and arrest them. One demonstrator leapt on to the vehicle and seized the cannon, turning it on to the police and National Party headquarters. Later a piece of graffiti declared: "The purple shall govern."
Parliament, the 350-year-old Company's Garden, the National Gallery, the South African Museum and numerous other sites are all within walking distance. I ambled around St George's, where Desmond Tutu once rallied the faithful against apartheid, and thought myself back in England amid the carved pews, stained glass and stone effigies.
The memorials on the wall speak of brief lives: "Remember now thy creator in the days of thy youth. In memory of Adriaan Carl Johannes Bouwer, aged 16, Sunday school teacher, whose life of good promise was cut short by a fatal fall on Table Mountain, September 27th 1883, on the eve of the cathedral confirmation, September 29th. Hold up my goings in thy paths, that my footsteps slip not, Psalm 17:5."
Another reads: "In memory of Montague Treby Molesworth, lieutenant in the Royal Navy, who died on board HMS Cleopatra March 25th 1844, of spear wounds received on the 23rd in an unforeseen and general attack made by the natives of the west coast of Madagascar on the unarmed crew of the Pinnace under his command while actively engaged in weighing the anchor of their ship ...
"In this barbrous outrage, the work of two minutes, and result of a defeated attempt at theft, seven out of 13 brave men lost their lives with their gallant officer. Thus was his bright career arrested ere 24 summers had dawned upon him, yet in that brief space, he had proved himself by his prowess and presence of mind in the moment of danger all a British sailor should be."
The Taj Cape Town hotel is on Wale Street, Cape Town, South Africa.
B&B review | Salt House, St Ives, Cornwall
Posted by The Sheet in Architecture News on August 6, 2010
If you want olde worlde style, this probably isn't for you. But everyone else will fall in love with this stylish St Ives outpost
The usual suspects (sun, sea, surfing) are all present and correct on this Cornish B&B's website. There the stereotypes end. While the sky is predictably azure, the house is a big white concrete rectangle, and the rooms wouldn't look out of place in a Design Hotels handbook.
Someone has clearly decided to do things their way – and since such a website rarely comes my way, I'm itching to get past the westbound caravans and in to St Ives. I turn off the main thoroughfare into a street of predominantly inter-war houses in plum positions looking across to Carbis Bay. There it is – the cube – looking slightly out of place but intriguing. It faces the sea, on an elevated road; only a beachfront location could beat it.
Alan Spencer opens the door and, from a narrow lobby, takes me up one floor to a landing. Unobtrusive etched glass panels riveted to the wall tell me that one room is called North, and the one beside it, South.
We go North. At this point I should advise anyone who prefers ye olde worlde bedde and breakfaste to go and mow the lawn. Everyone else, come with me.
North is an open-plan expanse of whiteness and glass. Through sliding glass doors is my own private balcony and a seascape beyond.
As with all minimal but well conceived interiors (rather than the places which stick one dodgy print of a gerbera on the wall and furnish from flatpacks), it is all about the detail. The floor is solid oak. A walnut (Conran) sideboard bears a selection of ground coffees, Orla Kiely mugs, and Jing teas (new B&B fad) in a Perspex box.
Grey wool BoConcept easy chairs swivel so I can watch sky or screen – Samsung's latest LED HD.
At the opposite end to the glass windows is a solid sliding door which rolls back to reveal what can only be described as a destination bathroom, of the kind more often found at five-star resorts in the Maldives. The Kurv bath is shaped like an ostrich egg.
So what's the story, I ask Alan and his wife Sharon, later. Now, here's a niggle – there is no guest sitting room, which means conversations must take place in hallways or in my room.
The house started life as a "quite ugly, boring 70s detached", Sharon says. Luckily planners took their modern eco-development (solar panels and a living green roof are next on the cards) seriously.
It is a spectacular place to stay. I'd prefer to make tea in a pot than a cup, and perhaps, when a lone female is staying, breakfast (from a stylish menu, with options such as Greek yoghurt with honey, and boiled eggs with soldiers) could be brought in by Sharon, rather than Alan. But waking enfolded in cotton from one of the White Company's most expensive ranges to watch the mist lift over the Monterey pine, chestnut and mimosa trees, is heavenly. Cornish cubism is about to take off in St Ives.
• Try the Blas Burgerworks on The Warren in St Ives (01736 797272, blasburgerworks.co.uk, booking advised) for unexpected brilliance at dinner
Much of a Dutchness: the Hotel Inntel Zaandam
Posted by The Sheet in Architecture News on April 7, 2010
The Netherlands was once a byword for architecture that was cool, calm and collected. Not any more. Jonathan Glancey is thrilled by a madcap new hotel
Can this be real? I'm in Zaandam, near Amsterdam, standing in front of a hotel that looks like a pileup of traditional Dutch houses, all grafted together in bright greens and blues, their pediments, gables, windows and roofs pulling and pushing at my eyes.
My mind is not, however, playing tricks on me. And no, this is not an April Fool. This is the Hotel Inntel Zaandam, a madcap fairytale of a building. In fact, this 12-storey structure is, for a while, hard to take in. It looks like a trick, a conjuring act, as if some maverick architect ran off to join the circus, and learned how to balance one building on top of another, possibly while riding a bike. It's a stupefying, funny, delightful building – a quirky addition to the skyline of Zaandam, capital of the Zaanstad region and a town best known (until now) for its cocoa, biscuits and Europe's first McDonald's.
"I didn't set out to shock," says Wilfried van Winden, chief architect of WAM, the Delft-based practice behind it. "But this is, of course, an outspoken building. And the language it speaks is the architectural language of Zaanstad. It makes a big statement, sure, but the building is not an imposition – it belongs here." All the facades you see, explains the architect, are based on traditional Zaanstad houses. "From a stately notary's dwelling," he says, "to workers' cottages." Van Winden's favourite is a re-creation, high up, of a blue house that features in a work by Claude Monet, painted during a trip to Zaandam.
Funny buildings rarely come off. There was a painful period, not so long ago, when architects worldwide practised a style we learned to call post-modernism. This mostly involved the cutting and pasting of historic building details on to office blocks, shops and hotels in a puerile attempt to make big new buildings – blocky by nature – lively and entertaining, as if every town could be improved by looking like Las Vegas.
The one country to hold out against this was the Netherlands. Instead, the Dutch pioneered a line of cool, calm and collected urban buildings that have long been held up as a model of modesty, intelligence and decorum. Yet there is also an exuberant tradition in Dutch architecture that has been sidelined in recent decades. One has only to think of the extraordinary housing complex in Amsterdam called Het Schip (the Ship). Built in 1917, with soaring prows, a mast-like tower and a wealth of ornamentation, it shows that Dutch architecture over the past 100 years has been a rich affair.
During the last decade, new forms of neo-traditional buildings have sprouted in Dutch towns. Many are kitsch, but some are wholesome, appropriate and well handled. WAM's hotel, however, is in a class of its own; it will certainly put Zaandam on the tourist map. "The best compliment I've had," says Van Winden, "is from friends who say the building makes them smile. This should be enough for any architect."
Curiously, this building started out as the Golden Tulip hotel, part of a small chain, but it was bought, almost immediately, by the Inntel group, who promptly changed its name. The idea for its design came to Van Winden while he was thinking about the nature of hotels in town centres. These, he thinks, should be more like a "home from home" rather than concrete boxes. In the Inntel's 160 bedrooms, everyone gets to live in a little house rather than an anonymous space that, however plush, could be in Amsterdam or Auckland. Guests are already taking photographs, so they can tell friends and family: "Look where I stayed!"
The planners said: 'Go for it!'
The hotel, which cost €15m (£13.4m), rises not from some freakishly isolated site, but from a new development of traditional streets lined with neo- traditional buildings. This might not be to everyone's taste, yet these streets and buildings root the hotel in an urban flowerbed that seems all of a piece.
A modern building of this size is not, of course, wholly traditional in construction. The core of the hotel is concrete, while the "houses" that rise up it are timber and clapboard, meaning that many of the rooms, especially the suites, really do feel like individual and even authentic houses. Cleverly, they come across as both familiar and enticingly new. The city's planners gave the hotel the green light because, although a little unusual, it fitted into the area's overall design. They were also intrigued, says Van Winden. "What they said, in a way, was, 'If you can really build this, go for it.'"
Van Winden founded WAM a year ago. As you might expect, his style is hard to pin down. Those who might wish to caricature him as a cartoonist or a clown will be disappointed by the refined and generous Modern housing he recently designed in Amsterdam. And for all its apparent craziness, this hotel is, at heart, a rational building, with an interior that is carefully planned. While the bedrooms are essentially modern, they're adorned with images of traditional Zaandam streetscapes, as well as colourful old adverts for Zaandam cocoa powder and biscuits, blown up to cover entire walls.
Like the facades, these root the hotel firmly in Zaandam. As Van Winden says, "When you wake up here, I don't think you'll say, 'Where am I?'"
• This article was amended on 7 April 2010 to correct the spelling of Het Schip.
Roger Ebert: Farewell to my London home
Posted by The Sheet in Architecture News on February 26, 2010
Legendary film critic Roger Ebert reminisces about the eccentric hotel on Jermyn Street that for 25 years was his sanctuary – but now faces demolition
Oh, no. No. No. This cannot be. They're tearing down 22 Jermyn Street in London. Much of the block is going. Bates hat shop, Trumper the barber, Sergios cafe, all vanishing. Jermyn Street was my street in London. My neighbourhood.
There, on a corner near the Lower Regent Street end, I found a time capsule within which the eccentricity and charm of an earlier time was still preserved. It was called the Eyrie Mansion. When I stayed there, I considered myself to be living there. I always wanted to live in London, and this was the closest I ever got.
Many years ago I was in London and unhappily staying in a hotel room so small, they had to store my empty luggage elsewhere on the premises. I could sit on the bed and rest my forehead against the wall opposite. Fed up, I walked out one fine Sunday morning to find a better hotel, but not an expensive one. I recalled that Suzanne Craig, a Chicago friend of mine, had once informed me: "If you like London so much, you should stay at the Eyrie Mansion in Jermyn Street."
"A haunted house?"
"No, stupid. Spelled like an eagle's nest. And Jermyn isn't spelled like the country, either."
I took the tube from Russell Square to Piccadilly, and surfaced to find backpackers sprawled on the steps of Eros, still asleep after their Saturday night revels. One block down Regent and right on Jermyn and I found a small sign over the sidewalk above a doorway. It opened upon a marble corridor pointing me to a man who regarded me from eyes in a scarred face. The gatekeeper of the Eyrie. He disappeared and, when I drew abreast, he was behind a wooden counter protecting an old-fashioned switchboard, a thick registration ledger and a wall of pigeonholes.
"How may I help you, sir?"
"Is this . . . a hotel?"
"Since 1685, I believe. You require a room?" He had a Spanish accent.
"I'd . . . how much are your rates?"
He consulted a card tacked to the wall.
"For you, sir, £35. That includes full English breakfast, parlour and bedroom, own gas fire and maid. Bath en suite."
The rate was a third of what I was paying. I asked to be shown these quarters. He locked the street door. Then we ascended in an open ironwork elevator to an upper floor and I was let into 3A. A living room had tall old windows overlooking Jermyn Street. Dark antique furniture: a sideboard, a desk, a chest of drawers, a sofa facing the fireplace, two low easy chairs, tall mirrors above the fire and the sideboard. He used a wooden match to light the gas under artificial logs.
A hall led to a bedroom in which space had been found for two single beds, a bedside table between them, an armoire, a chest, a small vanity table and another gas fireplace. In the bathroom was enthroned the largest bathtub I had ever seen, even in the movies. The fixtures were not modern; the toilet had an overhead tank with a pull-chain.
"This is larger than I expected," I said. "How many rooms do you have in all?"
"Sixteen."
Of course I took it. When I'd moved my luggage in, it was still only 10 o'clock and I rang down for the full English breakfast. The Spaniard said he would prepare it himself as soon as possible, "because Bob is indisposed". He appeared with two fried eggs, a rasher of bacon, orange juice, four slices of toast in an upright warmer, butter, strawberry jam and a pot of tea. I sat at my table, regarded my fire, poured my tea, turned on Radio 3 and read my Sunday Telegraph.
For 25 years I was to come to Jermyn Street time and again. Now I can never return. Some obscene architectural extrusion will rise upon the sacred land, some eyesore of retail and condos and trendy dining. Piece by piece, this is how a city dies. How many cities can spare a hotel built in 1685, the year James II took the crown? I will barely be able to bring myself to return to Jermyn Street, which is, shop for shop, the finest street in London.
That first morning I walked down Regent Street to St James's Park, strolled around the ponds, came up by Prince Charles's residence, climbed St James's Street and returned the full length of Jermyn. I ordered tea. It consisted of tomato, cucumber and butter sandwiches, which the English are unreasonably fond of; ham and butter sandwiches, which I am unreasonably fond of with Colman's English mustard; and cookies – or, excuse me, biscuits.
I had just settled in my easy chair when a key turned in the lock and a nattily dressed man in his 60s let himself in. He held a bottle of Teacher's scotch under his arm. He walked to the sideboard, took a glass, poured a shot, and while filling it with soda from the siphon, asked me, "Fancy a spot?"
"I'm afraid I don't drink," I said.
"Oh, my."
This man sat on my sofa, lit a cigarette, and said: "I'm Henry."
"Am I . . . in your room?"
"Oh, no, no, old boy! I'm only the owner. I dropped in to say hello."
This was Henry Togna Sr. He appears in a Dickens novel I haven't yet read. I'm sure of it. He appeared in my room almost every afternoon when I stayed at the Eyrie Mansion. It was not difficult to learn his story.
Henry and his wife Doddy lived in the top-floor flat. He may have been the only man to live all of his life within a block of Piccadilly Circus. The Mansion was originally purchased in 1915 by his parents, who came from Italy, and Doddy's parents, who were English. The two children grew up together, married, and fathered Henry Jr, "who keeps his irons in a lot of fires". He asked me how I learned of the Eyrie Mansion. "Oh, yes! Suzanne. A lovely girl."
I was usually in London three times a year: in midwinter, in May after Cannes, and in summer. Henry was naturally confiding, and cheerfully indiscreet. That first day he lamented that his assistant, Bob, had gone missing when I wanted my breakfast. "Bob is a great trouble to me," he said. "He gets drunk every eighth day. I have implored him to make out a seven-day schedule and stick to it, but no. He will not be content unless he is throwing us off."
"I was well taken care of by the man who checked me in," I said.
"Poor fellow. He was a famous jockey in Spain. His face was burned in a stable fire while he tried to help his horses. He was one of those handsome Spanish boys. He was in a movie once by Buñuel. A film critic like yourself must have heard of him."
"Oh, I have," I said. "I wonder which film?"
"You'll never get that out of him," Henry said. "Nor will he tell you his real name. He says he's hiding out here, working overnights. He doesn't want anyone in Spain to learn where he's gone."
I thought of Jermyn Street as Ampersand Street. On Jermyn Street you will find Turnbull & Asser, where Saul Bellow bought his shirts and Gene Siskel bought his boxer shorts. You will find Paxton & Whitfield, with its window stacked high with cheeses, and Fortnum & Mason, where you can lunch at the soda fountain or plunge into the food hall. Down the street a bit are Sims, Reed & Fogg, the antiquarian booksellers. And, of course, Hilditch & Key, Harvie & Hudson, Crockett & Jones, New & Lingwood – all shirt-sellers. The street is synonymous with shirts.
Next door to the hotel, there is Bates the hatters, with a big top hat hanging over the sidewalk. This was one place where you knew for sure you could find a bowler, a deerstalker or a collapsible opera topper. They have had the same cat for 50 years (although it has been stuffed and with a cigar in its mouth for most of that time). Next to Bates, Trumper the men's hairdressers. I make it a practice to get my hair cut in every city where possible. Near the Eyrie I went first to Georgio's, a one-chair Greek barber shop in a mews off Duke Street. One day I followed the Archbishop of Canterbury into his chair. In the basement of Simpsons, I had my hair cut next to the former prime minister Edward Heath. Jermyn is that kind of street. Finally I graduated to Trumper, a magnificent shop of brass and leather, wood and mirrors, and the aroma of hair tonics with exotic spices.
Sometimes in walking about the area, I would happen upon Henry, always dressed to befit Jermyn Street, who knew everyone of any interest, from the maitre d' at Wiltons to the man with the Evening Standard stand behind St James's Piccadilly. I never saw Henry in a pub, however, and despite the bottle of Teacher's under his arm, I never saw him tipsy.
One day he invited me to lunch. We walked over to a cozy, chic French restaurant in a byway near Leicester Square. Customers waiting in line were ignored as we were seated immediately. We were shown to our banquette by a handsome French woman of a certain age, whose hand, I observed, lingered longer on his shoulder than one might have expected. Henry saw me noticing, and his eyes twinkled.
He was much concerned about the future of the Mansion. "Our landlady is the Queen," he told me. "The Crown Estate agents have always tried to keep the lease terms reasonable, but the price of property is making the most alarming advances. I've raised my prices as much as I dare. Henry Jr wants to take over and make this a luxury hotel. Well, it's in the blood. But it frightens me. What kinds of loans will he have to take out? How will he make the payments?"
He brought Henry Jr around to meet me. This was a handsome, pleasant man; friendly, confiding. He said he hoped to keep the charm of the Eyrie Mansion. "But at the prices I'll be forced to charge, the public won't stand for this," he said, regarding the carpets, frayed at the edges, and the furniture somewhat nicked, and staring balefully at the gas fireplace.
As it happened, the gas fire was one of my favorite features. On jet-lagged winter mornings, before dawn, I'd awaken to a flat chilly as I liked it, pull on warm clothes, and venture out into the crisp night to walk up to the newsagent on Piccadilly. I'd buy the Telegraph, Independent, Guardian and Times, and a large cup of hot coffee from an all-night shop around the corner. With these I would return to the Mansion, tune in Radio 3, sit in my low easy chair before the fire, and dream wistfully that such was my life.
Later one winter's day, I set out to walk across Hyde Park from Kensington Gardens to Hyde Park Corner. It was raining, but that was fine with me; I had my Simpsons umbrella. What I didn't know was that the gates to the park were locked at dusk. This I discovered on a notice inside the gate I'd intended to use. I could see the traffic hurrying past up Serpentine Road from the direction of the Royal Albert Memorial. There were a lot of taxis.
Unfortunately, an iron fence topped with spikes stood between me and the road. It began raining harder. I scouted and found a low tree branch that might just allow me to stand atop the railing. That meant climbing a hill slippery with wet grass. I failed twice, and became smeared with mud. Digging in the point of my umbrella, I finally made my way up the hill and on to the limb, then balanced on the fence – but it was a good leap down to the sidewalk, and I could easily imagine myself with a sprained ankle. Or worse: impaled on the fence.
Pedestrians hurried past, apparently not seeing me. I tried calling for help. I was ignored. Well, if you were hurrying through the park in the rain and saw a fat man with a soaked coat, smeared with mud, balanced on a fence with a filthy umbrella, what would you do?
"Hey, look, it's Roger Ebert!" an American kid said. He was with a group of friends. "No way! Is that really you?"
"Yes, it is," I said. If I had been Prince Charles, I would have answered to "Roger Ebert".
"Far out, dude! What are you doing up there?"
"Trying to get down," I observed.
They helped me down and asked for my autograph, which was gladly supplied. I opened my umbrella, hailed a cab, and was at 22 Jermyn Street in 10 minutes. That was one of the occasions when I lit the gas fire and treasured it beyond all reason. After warming up, I filled the big tub for a bath. It was deep, and as long as I was tall. I tinted it a bright green with Wibergs Pine Bath Essence, inhaled warm pine, and reflected that you are never warmer than when you have been cold.
Word came in 1990 that Henry Jr had taken over operations and closed the hotel for renovation. In his announcement, he wrote: "I agreed to buy the hotel from my father, famous for his wonderful eccentricity." Of course, Henry Jr discontinued the gas fires.
The Eyrie Mansion was renamed 22 Jermyn Street, and my wife Chaz and I stayed there many times. I liked it, she adored it. When I said I missed the gas fire that you lit with a match, she gave me one of those looks I got when I said I would rather drive a 1957 Studebaker than any newer car. Or eat in a diner than a trendy restaurant. Or wear jeans. You know those looks.
As the luxurious 22 Jermyn Street, the hotel prospered. Croissants and cappuccino were now served as an alternative to full English breakfast. There'd be a flower on the tray. Clients included movie stars and politicians, who valued its privacy and its absence of a lobby. Doddy and Henry Sr would have been proud.
But in autumn 2009 Henry Jr wrote to us: "Sadly the lease has expired and the greater part of the city block in which the hotel is located is to be redeveloped by the Crown Estate as a project named St James's Gateway, over the next two or three years. Like much else in London, it is planned that this very comprehensive and handsome project will be completed in time for the Olympic Games in 2012."
Just what Olympic guests will be looking for in London. One more god-damned comprehensive and handsome project.
© 2010 The Ebert Co. distributed by Universal Uclick.This is an edited extract from Roger Ebert's blog, rogerebert.com
• This article was amended on 26 February 2010. The first paragraph originally read, "the whole block is going", including Getti the Italian restaurant and the Jermyn Street theatre. This has been corrected. Elsewhere in the piece Russell & Bromley was removed from a list of shirtmakers.
Skye’s the limit for designer pads
Posted by The Sheet in Architecture News on March 10, 2009
A Scottish architecture practice is making its mark on the island with its stunning holiday homes and B&Bs, writes Phyllis Richardson
People don't usually travel to Skye for the architecture. An overabundance of natural beauty and unspoilt landscape, from the dramatic peaks of the Cuillin Hills to the shimmering lochs and pristine coastline, draw many tourists who would happily stay in a leaky caravan or a fluttering tent. But for those who like a bit of modern comfort, there are now some more appealing options, thanks to the innovative thinking of an award-winning Scottish architecture practice.
Dualchas was founded in 1996 by twin brothers Neil and Alasdair Stephen, who grew up in Glasgow, but whose mother is from Skye. At that time they were concerned with building high-quality, affordable housing that didn't mar the natural landscape it sat in. In 1999 they were joined by Mary Arnold-Forster, who "gave up building kitchen extensions in London to design houses in the Highlands". Together they have become known for designs that preserve the form of the traditional Scottish longhouse and respect the natural surroundings, while integrating high-quality materials and finishes with modern concepts of space and light.
They have built a number of year-round and holiday homes on the Isle of Skye, several for clients who have returned to the Highlands or Western Isles after decades spent on the mainland or abroad. While Dualchas never set out to build holiday lets, fortunately for Skye tourists several of these properties are now available as self-catering houses and B&Bs.
One of the firm's early projects on the island was the Longhouse, designed by Mary Arnold-Forster. The house is owned by Richard Goslan, a journalist based in Glasgow, who spends time there with his family but lets it out for about 40 weeks a year. Goslan was a boyhood friend of the Stephens brothers and was keen to have a place in Skye designed by them.
"What they are doing is so much better than the standard Scottish housing," he enthuses. "You've got all this amazing landscape in the Highlands, and most houses are just pebble-dashed nightmares. But in their houses, with these windows, even if the weather is appalling you can just sit with a glass of wine and watch it change."
Located in Tokavaig on the southern Sleat peninsula, the Longhouse has many of the features that Dualchas has become famous for: high-ceilinged open-plan living spaces, quality fittings, wood floors with underfloor heating, efficient wood-burning fires at the centre of the house and, most importantly, lots of natural light pouring through floor-to-ceiling windows.
Driving in from the Skye Bridge to Broadford, I spotted my first Dualchas design without even looking at the address, mainly because of those huge windows but also because of the simple but elegant shape. It was the B&B Tigh an Dochais in Harrapool, run by Neil Hope and Lesley Unwin.
The house sits with one long side facing Broadford Bay so the vast windows overlook the open water. Lesley works locally as a GP while Neil has thrown himself happily into the running of the B&B, not only keeping a well-designed house but stocking local produce for guests.
Heading north to the Waternish peninsula, we found the Tern House and the Old Byre just off the road to the tiny village of Stein. Elma Sands and her husband bought the properties, a stone cottage and outbuilding, last year. Both had been renovated by Dualchas for the previous residents, who let the small house and ran a B&B in the main house. Though she hasn't continued with the B&B, Elma still lets the Old Byre as a self-catering cottage. Originally from Sutherland, Elma lived abroad with her family for 30 years, but they have recently returned to live permanently on Skye. "We had been talking to Mary about building a house," she explains in the glass-walled kitchen of Tern House, "but then we passed by this place and the 'For Sale' sign was out, and we just couldn't say no."
The Old Byre is a very intimate little retreat. The downstairs is 70 square metres, including a generous shower room. But with the ample windows, double-height ceiling, slate floors and beautiful oak fittings, it is a little box of luxury. Though Elma is not convinced that anyone would want to actually sleep in the loft - a little mezzanine eyrie accessed by a beautiful but steep oak ladder - it is a wonderful place to sit and read or relax.
Our stay in Calath, a cottage overlooking Loch Harport on the western Minginish peninsula, was so bright and cosy, despite the wild weather, that we never even lit the fire. But though we were warm and dry we also felt the presence of the landscape through large glass doors that frame the loch, and a great south window looking over the Cuillins.
We did do as Richard Goslan recommends, however, and sit comfortably sipping a drink (ours was a Talisker from the distillery down the road) and watching the weather change.
The combination of rugged natural beauty, modern comforts and fine dining (not to mention the cost of travelling abroad) will only make Skye more popular in years to come, but it still has a long way to go before its roads look anything like the southern coast of England on a vaguely sunny day.
The famed Three Chimneys restaurant in Colbost sits demurely on a little road that leads to Neist Point at the western tip of the Duirinish peninsula, where you can take a rather exhilarating, windblown walk to the lighthouse. For years the restaurant has drawn a fair number of gastro-tourists to the area. But nowadays the dinner-bound travellers will notice a pleasant addition to the scene: just before Colbost, in Skinidin, is the Timber House, built for a couple who run an interiors shop in Edinburgh.
Like other Dualchas clients the couple wanted a remote holiday getaway that fitted the rural setting. It resembles a small barn, but has beautifully ageing larch walls and, as ever, those huge windows. From certain viewpoints the house appears to sit happily on its own in the open landscape.
Luckily for us, Skye is one place in the UK where that can still be achieved.
Essentials
The Longhouse (0141 637 3334; skyelonghouse.com), Tokavaig. Four double bedrooms, two bathrooms. Walking distance to a ruined castle. From £700 a week.
Tigh an Dochais B&B (01471 820022; skyebedbreakfast.co.uk), Harrapool, three double bedrooms from £40 per person. Walking distance to the Skye Serpentarium (skyeserpentarium.org.uk).
The Old Byre at Tern House (01470 592332; ternhouse.com). Tiny self-catering studio for two. Walking distance to the Loch Bay seafood restaurant (01470 592235; lochbay-seafood-restaurant.co.uk) and the village of Stein. From £230 for three days.
Calath (07746 470742; calath.co.uk), overlooking Loch Harport, sleeps six to eight. Walking distance to the Talisker distillery (taliskerwhisky.com). From £450 a week.
The Timber House, Skinidin, near Colbost, (01456 486358; wildernesscottages.co.uk). Timber-clad house with two bedrooms. Walking distance to the Three Chimneys restaurant (threechimneys.co.uk). From £400 a week.