Posts Tagged Cycling
Olympic velodrome in race for building of the year prize
Posted by The Sheet in Architecture News on May 18, 2011
The London 2012 Olympic velodrome, nicknamed the giant Pringle, has been put in the long list by RIBA for the Stirling prize
The velodrome for the 2012 Olympics, nicknamed the giant Pringle for its crisp-like curves, is in the running to be named building of the year after picking up a design award from the Royal Institute of British Architects.
The 6,000-seat building, completed in February, is the first construction at the £9bn Olympic park in east London to be granted an award by RIBA.
The creators, Hopkins Architects, were advised by Sir Chris Hoy, the multiple gold-medal winning track cyclist, and the award looks set to be the first of many for the park. The 80,000-seat main stadium has already been applauded for its simplicity, and, meanwhile, the aquatics centre, designed by Zaha Hadid, is still being built, and a giant viewing-platform, designed by Anish Kappor to resemble a twisted roller-coaster, is halfway to completion.
The RIBA's long list, for contenders for the £20,000 prestigious Stirling prize, includes the velodrome, a project led by Sir Michael Hopkins, who designed Portcullis House in Westminster.
On the list of 97 buildings granted RIBA awards is the Royal Shakespeare Theatre in Stratford-upon-Avon, refurbished and rebuilt by Bennetts Associates; the Evelyn Grace city academy in Lambeth, London, designed by Hadid; and the Faustiono winery in the Ribero del Duero region in Spain, designed by Foster and Partners.
An elegant but austere pavilion cafe, designed by Caruso St John Architects, in the grounds of Chiswick House, the 18th-century neo-Palladian villa in west London, is one of the smallest projects but is being tipped by some for a place on the RIBA shortlist.
The president of the institute, Ruth Reed, said the list illustrated the health of British architecture in spite of the recession hitting construction. In August 2009 about 30% of architects were without jobs or enough work to keep busy, according to the institute, and about 4,000 architects were made redundant.
"In spite of a terrible worldwide recession many exceptional buildings have been and continue to be built in the UK and overseas," said Reed. "Even in constrained times committed clients working with talented architects can achieve architectural excellence."
However, so thin have the opportunities been in the UK that some of British architecture's biggest names only won prizes for projects in Europe. Last year's Stirling Prize winner, David Chipperfield, won awards for a shopping centre in Innsbruck and a museum in Essen, but nothing for a building in the UK.
The legacy of Labour's education building programme continued to be rewarded with 14 schools and nine university buildings granted awards.
An architectural experiment by the writer Alain de Botton was recognised, with prizes for two private holiday homes he commissioned and which he lets through his group, Living Architecture.
One of the homes is a tar-black house with a concrete and wood interior designed by the Glasgow firm Nord Architecture and set on the shingle beach of Dungeness, in Kent, near the home of the late film-maker Derek Jarman. The second is a balancing barn in Suffolk, by the Dutch practice MVRDV, which cantilevers unnervingly off a hillside. The homes offer people the chance to experience cutting-edge architecture – though a week in the balancing barn in September costs £2,604.
Olympic velodrome threatens to give London games a good name | Richard Williams
Posted by The Sheet in Architecture News on February 1, 2011
There is so much noise surrounding other permanent facilities that the success of the velodrome is in danger of being overlooked
Sir Chris Hoy can uncross his legs. The lavatory he asked for is exactly where he wants it to be, close to the track at the Olympic velodrome, ready for riders who feel the need to answer a last-minute call of nature before tightening their toe straps for the pursuit or the keirin at the 2012 Games.
In the Tour de France the competitors can just hop off the bike on some deserted country road, or even pull down their shorts and irrigate the scenery as they freewheel along. Such relief is hardly possible in a crowded velodrome, making Sir Chris's khazi just one of the impressive details to be found in a structure that threatens to give the London Games a good name.
So much noise continues to be made about the scandals surrounding other permanent facilities in the Olympic park – notably the uncertain future of the main stadium and the outrageous £180m cost overrun on the aquatic centre – that the success of the velodrome is in danger of being overlooked. Here is an arena that was properly planned, properly costed and delivered on time, to specification, and within its £90m budget. So it can be done.
The building was 24 hours away from being handed over to the organisers as a finished article when I was shown around the other day. To get there, a visitor to the Lee Valley park passes by the unremarkable main stadium, its looks compromised by the absence of the "wrap" intended to provide its visual signature but cancelled in order to save £7m on a building costing almost £500m, and the swimming pool, an aesthetic disaster thanks to the need to flank Zaha Hadid's surprisingly unremarkable core design with two temporary grandstands in order to bring its capacity up to Olympic requirements.
Then the eye falls on the swooping roof of the velodrome, rising elegantly at its two ends to echo the banked turns inside and supported by exterior walls of warm red cedar, a hint of the wooden piste itself. Here is something of genuine beauty, an elegant example of form following function.
You might have guessed that it was designed by a cyclist. Mike Taylor, a senior partner at Hopkins Architects, a practice noted for creating the canopied Mound stand at Lord's, led the design team. He rides, which helped him to listen with a sympathetic ear to Hoy's suggestions, such as the request to ensure that the opening of the main spectator access doors does not create a cold draught for the riders (the solution involved industrial "air curtains"). Hoy also asked for the design to incorporate seating around the top of the banked ends to create an unbroken wave of noise as the riders circulate.
Ron Webb, an Australian former champion who specialises in track design, created the piste itself from 54km of Siberian pine. Shipped from Archangel, sawn into narrow strips in a German mill, it is secured with 360,000 nails into a 250m ribbon that rears at either end into a 42-degree banking. Previously responsible for the Manchester and Sydney velodromes, Webb reportedly reckons that this is one on which records will be broken.
I'm going on about this because so many big building projects in Britain invite scorn for their flaws of design and execution, and in the case of sporting arenas for their farcically inept legacy planning, too. I was tagging along with a visiting party from the Save the Herne Hill Velodrome organisation, a group dedicated to preserving the 450m shallow-banked concrete track used in the 1948 Games, for whom Taylor has created a striking set of plans to ensure the south London track's rescue from its present state of dilapidation and its revival not just as a centre for community and schools use but, as the architect puts it, "for getting people started on the way to the high end of the sport".
Herne Hill looks as though it is going to survive. And so will the 2012 velodrome: a building which, whatever the fate of its troubled neighbours, will in time become a perfect, much loved monument to whatever achievements it may witness.
Architecture, Art and design, Chris Hoy, Comment, Culture, Cycling, Olympic games 2012, Sport, The Guardian
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