Posts Tagged Air transport
London’s new airport: should Beijing be a blueprint for the Isle of Grain?
Posted by The Sheet in Architecture News on November 6, 2011
Architect Norman Foster says a Thames estuary hub is essential for Britain's economy; critics warn of a £50bn white elephant that could harm the environment
What is at stake, according to all sides of the argument, is nothing less than the economic and spiritual future of the nation. We are in danger of "denying future generations to come", says architect Lord Foster. It is about the importance of our "world-class natural environment", says the Royal Society for the Protection of Birds. It could be a "white elephant" that would deal a near-fatal blow to our economy, says Sir Terry Farrell, another leading architect. Also at stake is national identity: how much Britain should try to match growing countries such as China, and how much we should do our own thing.
They are talking about airports, more particularly the idea of the "hub", the place where airlines choose to have interchanging flights, which is not only good for the airport business but also any business that relies on the best possible air connections. Heathrow is such an airport now, but its two runways are at 99% of their capacity, and air travel keeps growing, so it is in danger of losing ground to Frankfurt, Amsterdam and Paris. A third runway, deeply unpopular with people living under its flight path, has been ruled out by the government, the opposition, and the mayor of London.
So last week Foster, in partnership with engineers Halcrow and economic consultancy Volterra, unveiled a plan for Thames Hub, a four-runway airport to be built on the Isle of Grain in north Kent, on the Thames estuary.
Building anew would achieve the best possible integration of planes and trains, the best provision for logistics, and the most modern, efficient terminals. Planes would mostly approach over water rather than densely populated areas. It would connect to the high-speed rail link built for the Channel tunnel and provide tens of thousands of jobs for the never-quite-achieved revitalisation of the area known as the Thames Gateway.
It is not the first plan to build an airport in the estuary. An attempt to build one at Foulness in Essex was scuppered by the 1973 oil crisis, and more recently Cliffe, near the Isle of Grain, has been mooted, but the Foster plan is the most ambitious. It is not just for an airport, but a new tidal barrier to protect London from flooding, a high-speed orbital railway that would roughly follow the path of the M25, and railway connections to seaports and northern cities. The total cost is put at £50bn, with benefits to the economy put at £150bn. Backers say that they are attracting interest from private investors.
Foster's inspiration is China. In the 1990s he designed Hong Kong's new airport, which required the levelling and reshaping of a bumpy island. He also designed the gigantic Terminal 3 in Beijing, which took four years to realise and opened in time for the 2008 Olympics. Now an even bigger airport is already being planned for the city. Foster has long admired the speed with which these were built, and laments how Britain has dithered about London's airports. Heathrow's Terminal Five took 26 years from conception to completion, including the longest planning inquiry in history.
Britain wasn't like this, says Foster, in the age of the great engineering projects. He urges that we "recapture the foresight and political courage of our 19th-century forebears", which means action to speed up and simplify the process of planning and public inquiries, and dealing less tenderly with the many objections projects like this provoke. He raises the spectre of Bric, the growing nations of Brazil, Russia, India and China. If Britain does not match their investment in infrastructure, "we are rolling over and saying we are no longer competitive – and this is a competitive world. So I do not believe we have a choice."
There are certainly objections. The Isle of Grain is not an abstract piece of nothing, but a rare wilderness surprisingly close to London. It is part of the atmospheric flat lands where Dickens set the opening of Great Expectations, and the airport would not so much be built on it as completely annihilate it. In the Thames estuary there are, says the RSPB, up to 200,000 birds, and another 30,000 in the nearby Medway, a population "of global importance" which is unlikely to mix well with an airport. Huw Thomas, a director of Foster & Partners, says replacement habitats could be created elsewhere, but the RSPB is unconvinced. Neither will it be easy to run high-speed trains through the green belt unopposed.
Farrell questions whether Foster's infrastructural wonderland would really work. The airport is "on the wrong side of London for growth – the heart of Britain is clearly on the other side". If Heathrow were shrunk or closed, he says, the investment that has gone into the airport would be squandered. More than that, the huge array of businesses that have grown up around Heathrow, from corporate headquarters in the Thames valley to hotels and warehouses and the UK's biggest food distribution centre, would have to relocate. Heathrow currently creates nearly 80,000 airport-related jobs, and many more in associated businesses. Homes for all these workers, with their schools, hospitals and shops, would have to be recreated in the east. No one planned that Heathrow would be what it is now, but for all its faults it is an extraordinary success, which should not be lightly discarded.
"Can we afford to flip London over?" Farrell asks, and cites Montreal-Mirabel airport, which opened in 1975 as the biggest in the world, misjudged its market and ceased passenger flights in 2004. Its main problems were its distance from the city and the introduction of longer-range aircraft, making them less likely to stop over in Montreal. The Foster plan carries some of the same risks, such as having a less convenient location than the existing airport and requiring a long-term bet on patterns of flying that may change.
Farrell argues instead for "consolidation of what we've got", for better train connections between existing airports, for example, so that they can work better together. "Foster is right to propose his hub," he says, as a contribution to debate, but we should not be dazzled into accepting it uncritically. Such solutions are "tremendously glamorous and sexy", but "you can't just take the say-so" of people such as architects and engineers, with a vested interest. Nor that of the mayor of London, Boris Johnson, an enthusiast for estuary airport plans, given that relocation would shift the environmental problems "from thousands of his voters, and dump them on someone else's".
Farrell argues that what works in China may not work here: "They have a growth economy and can afford to make mistakes." And China, not being a democracy, doesn't have to worry too much about opposing voices. "We can't emulate the Chinese. We've got to find our own position, which could be very clever and very smart, but different."
This debate assumes that endless growth in air traffic is desirable and inevitable, although it contributes significantly to climate change. It also enjoys the remarkable tax break of exemption from VAT on fuel. Should this ever end, people will fly less.
Meanwhile, engines are becoming quieter, which alters the discussions about noise pollution, and with the Airbus A380 aircraft are becoming bigger. John Stewart of HACAN Clear Skies, which campaigns to control the effects of aviation over London, thinks Heathrow could expand by handling larger planes for long-range flights, while high-speed trains would take over much of the short-range traffic. If he is right, it may not be necessary to build a new super-hub.
What is most striking is that no one knows for sure which option is best. This may be the most critical decision on infrastructure, environment and planning that this country has to take, but the implications and complexities are too big for anyone to have mastered them yet. The Foster hub could be as successful as Hong Kong, or a new Montreal-Mirabel. Confident though they are, the Foster camp acknowledge that their hub is partly speculative. Farrell isn't saying for sure that his idea of consolidation is the best one, but only that it deserves full investigation.
Whether either, or something else, is the best option is for the moment almost pure guesswork.
Rowan Moore is architecture critic of the Observer
Conran retrospective, New Review page 36
V&A to celebrate British design with Olympics-spanning show
Posted by The Sheet in Architecture News on October 7, 2011
The Haçienda club, Concorde and Harlow to feature next year's showcase of design from 1948 Games through to those of 2012
There will be Concorde, an E-type Jag, a recreation of Manchester's The Haçienda nightclub and …well, Harlow, included in what is expected to be the most comprehensive survey of postwar British innovation and design ever staged.
The V&A announced on Friday plans for its big show next year which will showcase more than seven decades of the best British design with a timeline that runs from the austerity Olympics of 1948 to the less austere 2012 Games.
The exhibition's timing, in the depths of economic turmoil, could not be better in that it will show that some of the best ideas have emerged from the worst of times. It will, said co-curator Christopher Breward, "demonstrate that in times of economic downturn, actually that idea of the British inventor, the British maverick, the old Victorian idea of the engineer-hero has both a long history and is a very important way of looking beyond the immediate financial mess".
The show, he hoped, have "a positive message. The evidence is there in the objects".
The exhibition launch was held on the top floor of the Gherkin, a building that will feature in the forthcoming show. From there other important examples of postwar architecture which will be in the exhibition could just be made out through London's dingily grey morning skies: the Lloyds building; Erno Goldfinger's brutalist 1960s Balfron Tower and Zaha Hadid's Olympic park aquatics centre, for which the V&A has commissioned a new model.
The show will also feature the growth of new towns with models and drawings for urban utopias such as Milton Keynes and Harlow which has the Frederick Gibberd-designed residential block The Lawn, one of the earliest examples of British high-density housing.
There will be about 350 exhibits on show, over two-thirds of them from the V&A's vast collections and it will cover everything from fashion to fine art to video games.
Breward said The Haçienda was so important in youth culture that it had to be an important part of the show and the club's original designer, Ben Kelly, is working on the V&A show. "You'll almost feel like you're there," said Breward. "Within an exhibition context."
There will be the more obvious exhibits – Dyson's bagless vacuum cleaner, say – as well as unsung heroes such as the Topper dinghy and the Moulton folding bike.
Ghislaine Wood, the show's other curator, said the show represented three years of work and it had been a good opportunity to research the V&A's own collection. "We have acquired contemporary material right from the beginning of the V&A's history and it is at moments like these that you realise how important it is to keep collecting contemporary work."
• British Design 1948-2012: Innovation in the Modern Age will be staged between 31 March and 12 August.
The 10 best airports
Posted by The Sheet in Architecture News on August 14, 2010
From the breathtaking descent into Santos Dumont to Jeddah's tent-like structure, Rowan Moore selects his favourite 10 airports
El Prat de Llobregat, Barcelona
Most airports are in denial, or at least their architects are. They think they're works of transport engineering, when really they're shopping malls with a transport function attached – BAA is said to make more money out of retail than flights. Barcelona's Terminal 2, completed in 1991, makes a virtue of this fact. It treats the airport as an unusual kind of city, with broad urbane avenues, highly polished purplish marble, big glass walls, dignified concrete and ample proportions. As a result it is much more relaxing than airports where you feel like a piece of baggage on its way to the carousel. Its architect, Ricardo Bofill, has recently also completed the rebuilt Terminal 1.
Santos Dumont, Rio de Janeiro
Since the 1998 closure of Kai Tak, Hong Kong, with its thrilling descent past mountains and above apartment blocks, the approach to Santos Dumont Rio de Janeiro, is unrivalled as the best in the world. Planes wheel past the Sugarloaf mountain and down to a short waterside landing strip that requires special training for pilots. Then a stroll through the terminal takes you almost into the heart of a great city – which is air travel as it should be but almost never is. The airport, which now serves only domestic flights, is named after a great Brazilian aviator and dandy, and its original terminal is a refined work of 1930s modernism.
Dulles Washington DC
Before his death at the age of 51, Finnish-American architect Eero Saarinen designed two celebrations of the jet age that reinvented the design of airports. One, the freeform TWA terminal at JFK, has been compromised by later additions, and is currently closed for refurbishment. The other is Washington Dulles, built in 1962, whose concrete roof, concave side down, hangs like a canvas between rows of angled pillars. It pioneered the idea of the sweeping roof as a metaphor for flight that has since become a well-worn theme of airport design, while its white, temple-like form also has some of the gravitas ofWashington's political monuments.
Kansai Osaka
After Norman Foster's Stansted of 1991 gave new impetus to Saarinen's big-roof concept, Renzo Piano's Kansai airport gave it its most impressive realisation in 1994. The roof rises and falls like a big wave, before neatly morphing into the long, tapering tubes that get you to the departure gates. Built on an artificial island, it looks beautiful from above, with all the complexity of an airport resolved into a single silvery object. It also deals with the inevitable retail better than most, by stowing it into deep canyons under the roof. The fact that the island used to sink at an alarming rate need not worry you too much.
Chek Lap Kok, Hong Kong
Norman Foster's practice Foster and Partners has designed three impressive airports – Stansted, Chek Lap Kok in Hong Kong, and the enormous new Terminal 3 in Beijing. Of these Hong Kong gets my vote, Stansted being too compromised by later changes, while Beijing has slightly queasy-making Chinese references: it is allegedly dragon-like, and takes its red-gold colours from the Forbidden City. Hong Kong has a calm, rhythmic series of vaults with views through big glass walls to planes and mountains. As at Stansted and Beijing the design still gets embarrassed by the presence of shops, as if it were hoping they would go away. They won't, and airport architects should get used to it.
Barajas, Madrid
Barajas, Madrid, by Rogers Stirk Harbour and Partners, is yet another swoopy roof, but the simple idea of lining the ceiling with bamboo gives it a different feeling. It is soothing, rather than mechanical. Steel struts are painted in all colours of the rainbow, grading from red to violet along the length of the building – a potentially cheesy idea that comes off. The joyfulness of Barajas compared with the clunkier Terminal 5 at Heathrow (which was designed by the same architects) says much about the way this country goes about getting big buildings built.
Charles de Gaulle, Paris
The original terminal building of Charles de Gaulle airport, completed in 1974, is the sort of futuristic fantasy for which the French have a special talent. A great concrete cylinder, its central void is criss-crossed by glass tubes, enclosing smooth-moving travelators as if in a Dalek city. On the outside, roads sweep up high on its flanks on vertiginous bridges. Designed by Paul Andreu, a French architect whose most famous work it is, it is playful and inspiring at the same time. Pleasure in its design is limited, however, by knowing about the fatal collapse of part of the later Terminal 2E, in 2004.
Banjul Gambia
Banjul Airport, Gambia, wins a prize for its sheer indifference to all the usual clichés and conventions of airport design. True, it goes like many others for something a bit wing-like, but the gratuitous projections at its sides are nothing like the swoops of Saarinen or Piano. It also goes, for no particular reason, for an arch in its centre with a bigger inverted arch above. A tongue-like canopy then sticks out from the mouth-like arch. The work of the Senegalese Pierre Goudiaby Atepa, its main design principle would appear to be to do stuff for the sheer hell of it.
Changi, Singapore
I don't know why so many airports are designed as metaphors for flight. Why do you need a metaphor when you've got the real thing? Why not have a metaphor for the ground on which you're landing? In any case Singapore Changi Airport has always opted instead for symbols – not metaphors exactly – of opulence. They like fish tanks, fountains and verdant planting, and school parties are taken round in obedient crocodiles to admire it all. Since 2008 it has also included its Terminal 3, by American architects SOM. The roof is as flat as the many football pitches it equals in area, but is fitted with an intricate system of shutters and louvres that filter the light in intriguing pixellated patterns. It's a bit bling, but in a nice way.
King Abdulaziz Jeddah
SOM also designed Jeddah airport, which, as the place of arrival for Mecca, handles a huge increase in passenger numbers during the annual hajj. SOM created a 120-acre canopy composed as a series of tents. It could have been patronising, and I confess I haven't seen it in person, but the effect looks impressive in photographs. It was completed in 1981, and it's hard to imagine an American practice being given a commission of such sensitivity to Muslims now. Indeed, at the time of writing, someone has described SOM on Wikipedia as "futki", which in the Bangladeshi dialect of Sylheti means "arsehole".
Greenpeace plans to build fortress on Heathrow runway site
Posted by The Sheet in Architecture News on January 28, 2010
Environmental group says the plan will create a legal headache for any government pushing ahead with airport's expansion
Environmental activists have invited some of the UK's leading architects to design an "impenetrable fortress" to be built on land earmarked for the third runway at Heathrow.
Greenpeace plans to build the winning design at the centre of the site where airport operator BAA hopes to construct a £7bn runway and a sixth terminal.
The charity bought the parcel of land last year and then distributed ownership to more than 60,000 supporters around the world.
Organisers say the small individual plots will create a legal headache for any government trying to push ahead with the expansion plans.
Air travel is no privilege for the poor | Owen Hatherley
Posted by The Sheet in Architecture News on March 22, 2011
Travelling from Luton airport is a teeth-grindingly laborious process compared with the grandeur of St Pancras International
If you're in any doubt that the class war is raging in the field of transport design, try travelling in the same week from London St Pancras International on the Eurostar, and then from Luton airport on a low-cost airline. Bear this contrast in mind when it is claimed – and it often is, implicitly or otherwise, most obviously in the forthcoming budget's trailed inducements to air and road travel – that holidays via air are the innocent privilege of the poor and the "squeezed middle", which green or lefty killjoys want to take away from them.
St Pancras International is marketed as "high design", combining the aesthetics of the industrial revolution – in the form of William Barlow's majestic iron and glass canopy and George Gilbert Scott's grandiloquent hotel frontage – along with the modern: sleek, grey-steel new terminuses, chic typography and, where beer barrels imported from the East Midlands once sat, a luxury shopping mall. Here, as you wait, you can fill yourself with all the organic coffee you can drink, stock up on improving literature in Foyles and enjoy the "world's longest champagne bar". Drink enough there and you might even find value in the station's statues of John Betjeman and snogging backpackers. To take a train into Europe is reserved for the elite, then, an elegant experience, "reassuringly expensive".
London Luton – aside from the hubris in its very name, with a city of more than 200,000 demoted to a terminus for the capital – also has a shopping mall, and also caters largely to travel in Europe, but that's where the similarity ends. The notion that the plane might be quicker and easier than the train is now absurd, if you're travelling from Luton or the many airports like it. To travel out of London from St Pancras is simple, even for non-Londoners, as the station is a major terminus. To travel to "London Luton" is teeth-grindingly laborious, on the disintegrating Thameslink train followed by a bus winding vaguely around the General Motors works. When you finally arrive at the airport, you're at a nasty little shed into which retail is stuffed as if at random. The design makes Lidl look like Le Corbusier, an overlit, cramped horror.
That's before you've even made your way into the floating cattle car that will be shepherding you to your destination, via your chosen low-cost airline – in my case it's usually the Hungarian couriers to "new Europe" Wizzair, the subject of the Wizzair Sucks website. Then you'll arrive somewhere more humane, for a week or so. It's a miserable way to travel, for both of its main groups of clients – Gastarbeiter from east-central Europe and working-class holidaymakers on their way to Spain. And never mind arriving at Luton, when accusatory signs about "ASYLUM" and the "UK BORDER" provide a warm welcome.
This experience, making the very act of getting in and out of the country a grim struggle, is what the government will trumpet as empowering the ordinary holidaymaker, while they themselves – perhaps even the currently ascendant Clarkson tendency in the coalition, best represented by Philip Hammond – would surely opt every time for the Eurostar. They are, in the fine tradition of British Conservatism, serving up something they know, as Gerald Ratner once so pithily put it, is "crap" – then telling us we should be thankful.
So even before we bring in other factors – the price and quantity of oil, or its hardly benign environmental effect – it is clear that we are being sold a pup. The "freedom" of the skies or of the motorway is a risible myth.
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